In the early 2000s, The Eighties Matchbox B-Line Disaster emerged with a black-hearted blast of frenetic psychobilly, punk and goth that felt like a closing time punch-up between The Birthday Party, The Cramps and The Make-Up. Their lunatic intensity was best captured within their first two albums, 2002’s ‘Hörse of the Dög’ and 2004’s ‘The Royal Society’, both of which remain adored as cult classics to this day by a fanbase still addicted by their visceral, riotous noise rock.