Clara Tracey’s debut album “Black Forest” is an opening into her magic realist world where women reign, stained glass masterpieces come to life and fantasies are playfully erotic. Infused with a sense of sexual liberation that can be attributed to the decade she spent living in Paris in the posthumous company of Colette, Anaïs Nin and Angela Carter, Clara deliberately provokes her nineties Catholic upbringing in Northern Ireland and the sense of repression that for some, is still palpable there.