Old Kind of Magic, the fifth longplayer from Native Harrow, arrives two years into their newlife in Sussex, England. It is in this new place that they have self-produced a work that issimultaneously their most sweepingly expansive and delicately intimate album to date. Thesongs contained herein move dramatically from the opening field recording of the Brightonseaside, to Laurel Canyon-esque folk-rock, piano and rhodes tinged soul-jazz balladry, oudand harpsichord driven 60s technicolour psychedelia, dense modernistic string quartetwriting, and wide-as-the-western skies panoramic pedal steel with sepia-toned 12-strin